Like a whirling, many-armed Hindu goddess, multi-instrumentalist Theresa Andersson swirls among a dulcimer, drums, a violin, microphones and a dizzying array of electronic foot pedals in her New Orleans kitchen. Barefoot and with a classical guitar strapped across her shoulder, the Swedish-born musician builds an intoxicating pop song, “Na Na Na,” from the ground up, laying a drum foundation and buttressing her soaring backing vocals by plucking a bass line on the guitar, strumming chords on the guitar and the dulcimer and shingling the production with a beautiful voice. It is amazing.
Andersson’s use of digital looping technology isn’t on the vanguard — the coffee house set stumbled on it years ago. But the precision with which she uses the technology and the degree to which she layers it set her apart from other loopsters.
“At first it was challenging to figure out how to work the setup,” Anderson admits. “I had to learn how to operate pedals with my feet while jumping from the drums to the dulcimer, the guitar and the violin — all this happening in real time while singing the song. In the beginning I would often lose my balance, but now it feels fluid and natural.”
You can view Andersson performing “Na Na Na” on YouTube. Better yet, head to Vermilionville this Friday, Feb. 26 or the Sliman in New Iberia the next night, for a live performance as part of the Louisiana Crossroads concert series.
Andersson has performed and recorded with the royalty of New Orleans music including Dr. John, the Neville Brothers, Allen Toussaint and members of the Meters. Her latest album on Basin Street Records, Hummingbird, Go!, encapsulates her world of influences, including her childhood in Sweden.
And make no mistake: What Theresa Andersson does during live performances is completely live. One missed tap, one bad note, and a loop can become an oops. “The crowd are as excited as I am,” she admits in her bio. “There is definitely that feeling of, ‘Oh my God, is it all going to fall apart?’”
Theresa Andersson
Presented by Louisiana Crossroads
8 p.m. Friday, Feb. 26, Vermilionville
8 p.m. Saturday, Feb. 27, Sliman Theater,
New Iberia
For ticket information, call the AcA box office at 233-7060
David Calhoun and Elizabeth “EB” Brooks are the first two employees of Lafayette Central Park Inc., the nonprofit charged with turning Lafayette Consolidated Government’s 100-acre Johnston Street Horse Farm property into a passive public park. Calhoun was named executive director, and Brooks is director of planning and design.
There will soon be a whole lot of shakin’ going on at Benny’s Sportshack Supplement Depot, a new concept by Opelousas native Benny Nele. Located at 2002 Johnston St., the supplement shop, smoothie bar and café, featuring hot off the press paninis and wraps, plans to open in late May.
This year’s Cool Town issue is all about people who are not native to South Louisiana but made a conscious decision to be here, to be among us, to participate in our culture and contribute to it.
A shelved ordinance transferring $200,000 from a northside drainage project to a south Lafayette development may not break any laws, but it stinks to high heaven.
An effort to restore a shuttered dancehall and document other vacant or razed honky-tonks could serve as a model for saving an endangered species of entertainment.
Lafayette’s gene pool has been host to a long line of eccentric characters who have blurred the lines between crazy, genius, disturbed and curiously entertaining.