Back in October, The New Yorker reported that David Simon - former Baltimore Sun reporter and creator of Homicide:Life on the Street and The Wire - was looking to New Orleans for his next project. Today, The Times-Picayune reports that Simon's newest HBO television series will be based in New Orleans and named Treme, after the historic New Orleans neighborhood. Simon told The Times-Pic that he will film the first episode later this year, and if the show's approved by HBO, will resume filming in 2009.
Simon, a frequent visitor to the city and a longtime New Orleans music fan, said this week that the stories told in "Treme" would reach beyond the music scene to explore political corruption, the public housing controversy, the crippled criminal-justice system, clashes between police and Mardi Gras Indians, and the struggle to regain the tourism industry after the storm.
"It's basically a post-Katrina history of the city. It will be rooted in events that everybody knows," Simon said. "What it's not going to be is a happy stroll through David Simon's record collection. It should not be a tourism slide show. If we do it right, it (will be) about why New Orleans matters."
There will soon be a whole lot of shakin’ going on at Benny’s Sportshack Supplement Depot, a new concept by Opelousas native Benny Nele. Located at 2002 Johnston St., the supplement shop, smoothie bar and café, featuring hot off the press paninis and wraps, plans to open in late May.
Philip deMahy Sr., a once respected New Iberia ad exec, was sentenced May 2 to spend the next two years (he faced up to 100 years) in a state penitentiary after state and federal investigators found dozens of images depicting children engaged in lewd sexual acts on his personal computer.
This year’s Cool Town issue is all about people who are not native to South Louisiana but made a conscious decision to be here, to be among us, to participate in our culture and contribute to it.
A shelved ordinance transferring $200,000 from a northside drainage project to a south Lafayette development may not break any laws, but it stinks to high heaven.
An effort to restore a shuttered dancehall and document other vacant or razed honky-tonks could serve as a model for saving an endangered species of entertainment.
Lafayette’s gene pool has been host to a long line of eccentric characters who have blurred the lines between crazy, genius, disturbed and curiously entertaining.
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