New Orleans blues master John Mooney takes the stage at 7 p.m. today in the Vermilionville Performance Center for the second of two Louisiana Crossroads performances. Tickets are available at LouisianaCrossroads.org and at the door. Tickets can also be charged by phone at 233-7060.
According to the Acadiana Arts Council, sponsor of the Crossroads series:
It’s been five years since John Mooney’s intense, howling solo blues and boogie graced Louisiana Crossroads’ stages and we’re now welcoming him back for another pair of shows spotlighting his original work and celebrating his deep roots.
Mooney’s visceral, intensely rhythmic style unites the dark feel of the Delta blues with the sinewy funk of the Crescent City like few others. His propulsive arrangements draw heavily from the raw, earthy blues of the legendary Son House, whom he studied with in Rochester, N.Y., when the young apprentice was just 16 years old.
A 1976 move to New Orleans immersed the budding musician in The Big Easy’s vibrant second-line sound and the rumba boogie piano of Professor Longhair, another seminal influence on Mooney’s inimitable style, which features his soulful vocals arcing above jagged rhythms and soaring slide guitar lines. His work with his Bluesiana trio has been marked by its syncopations, and these solo shows will take the guitarist’s unique adaptation of acoustic playing to a modern electric format back to an even more direct incarnation.
There will soon be a whole lot of shakin’ going on at Benny’s Sportshack Supplement Depot, a new concept by Opelousas native Benny Nele. Located at 2002 Johnston St., the supplement shop, smoothie bar and café, featuring hot off the press paninis and wraps, plans to open in late May.
Philip deMahy Sr., a once respected New Iberia ad exec, was sentenced May 2 to spend the next two years (he faced up to 100 years) in a state penitentiary after state and federal investigators found dozens of images depicting children engaged in lewd sexual acts on his personal computer.
This year’s Cool Town issue is all about people who are not native to South Louisiana but made a conscious decision to be here, to be among us, to participate in our culture and contribute to it.
A shelved ordinance transferring $200,000 from a northside drainage project to a south Lafayette development may not break any laws, but it stinks to high heaven.
An effort to restore a shuttered dancehall and document other vacant or razed honky-tonks could serve as a model for saving an endangered species of entertainment.
Lafayette’s gene pool has been host to a long line of eccentric characters who have blurred the lines between crazy, genius, disturbed and curiously entertaining.