GUMBO STYLE
Vinyard House at Jefferson Street Market’s timing could not have been better. Arriving just before the weekend cool snap (that’s so far lasted into Monday) was the store’s new line of Italian porcelain gumbo bowls, trimmed and etched in gold with a beautiful fleur de lis design. Oversized and shallow, they’re a classy way to serve the downhome Louisiana favorite — or any soupy concoction for that matter. You’ll also be pleasantly surprised at the reasonable price tag: the gumbo bowls are $15.95 each. Vinyard House also offers the same pattern in dinner and dessert plates, cups, saucers and a demitasse set. Prices range from $6.95 for the dessert plate to $23.95 for the demitasse set. Call Jefferson Street Market for more info at 233-2589. — Leslie Turk
NOT JUST FIDDLING AROUND
Of the 15 tracks found on Cedric Watson’s self-titled CD, he’s penned 10 of the them and arranged three of the traditional numbers. Armed with fiddle and accordion, Watson sings throughout and also covers Boozoo Chavis’ “Tee Black” and Michael Doucet’s “Cochon de Lait,” who writes of the CD, recently released on Valcour Records: “These songs may well be early brushstrokes of a life’s worth of possibilities, not only for himself, but also for the identity survival of a culture.” Watson’s joined by local musicians Jeffery Broussard, Corey Ledet, Jermaine Prejean, Chas Justus, Joel Savoy and Eric Frey. To hear samples of Cedric Watson, visit www.myspace.com/cedricwatson or catch Watson live this Friday at his CD release party at the Blue Moon Saloon in Lafayette at 8 p.m. Cedric Watson retails for $15 and can be ordered online at www.valcourrecords.com. — R. Reese Fuller
SUNDAY BLOODY SUNDAY
Easter Sunday 1873 was an unprecedented day of racial violence in the small central Louisiana town of Colfax. History recorded the day’s events as a riot, and it’s only recently begun to be called a massacre. The tragedy is usually a blip in the footnotes of history textbooks, but the story was recently tackled in the novel Red River by Lalita Tademy. Now Charles Lane, the former Supreme Court staff writer for The Washington Post, explores the Colfax Massacre and its enduring scars on America’s laws and race relations in The Day Freedom Died: The Colfax Massacre, the Supreme Court, and the Betrayal of Reconstruction. Publishers Weekly writes of the book: “Lucidly written, thoroughly readable, carefully documented, and impressively coherent, Lane’s rendition of this turning point in the history of American race relations and racial politics ends a long silence in American history books.” The Day Freedom Died retails for $27 is available in Lafayette at Barnes & Noble and Books-A-Million. — RRF
Is it a crime for citizens to photograph, video, or take notes of a police officer in the line of duty, or a right protected by the First Amendment of the U.S. Constitution? Locally, such activity, as witnessed recently, will at the very least result in a night spent behind bars.
David Calhoun and Elizabeth “EB” Brooks are the first two employees of Lafayette Central Park Inc., the nonprofit charged with turning Lafayette Consolidated Government’s 100-acre Johnston Street Horse Farm property into a passive public park. Calhoun was named executive director, and Brooks is director of planning and design.
At Thursday's State of the Economy luncheon, LEDA President and CEO Gregg Gothreaux said PXP has already quietly hired 180 people for its Broussard expansion.
Episcopal School of Acadiana’s Dr. Joshua Caffery, chair of the school’s English Department, is headed to Washington, D.C., and the Library of Congress as the latest winner of the Alan Lomax Fellowship in Folklife Studies.
This year’s Cool Town issue is all about people who are not native to South Louisiana but made a conscious decision to be here, to be among us, to participate in our culture and contribute to it.
A shelved ordinance transferring $200,000 from a northside drainage project to a south Lafayette development may not break any laws, but it stinks to high heaven.
An effort to restore a shuttered dancehall and document other vacant or razed honky-tonks could serve as a model for saving an endangered species of entertainment.
Lafayette’s gene pool has been host to a long line of eccentric characters who have blurred the lines between crazy, genius, disturbed and curiously entertaining.