A perfect example occurred at the annual night-before-Thanksgiving dance that my band, Balfa Toujours, shares with Geno Delafose every year. It was a night of Creole and Cajun music in which turkeys and guinea hens were given away as door prizes. While Geno was playing, I went to look for my friend Beverly Spell of Ballet Acadiana ' a world-renowned ballet teacher and choreographer ' only to be told that she was out on the floor doing zydeco moves with a world-renowned performer and teacher of Irish traditional dance. Do such things happen everywhere? Not a chance.
Beverly is a local artist who continually exhibits a humble and productive dedication to art. She creates on many levels. Her original choreography explores the emotional depths of the art form, her ballet barres, created from an original design and handcrafted in Milton, can be found in studios and schools around the world, and her teaching skills have landed her positions in New York and other dance meccas. But her dedication to the creative spirit is perhaps best exhibited in the work she does with young people. Her Leap 'N Learn program, which focuses on creativity, self-expression, and fundamental movement skills in children, is used by more than 400 dance studios throughout the world and has just been adopted by Lafayette Parish public schools. I'm collaborating on this program with Beverly and Annie Spell, through the addition of original "warm-up" and "cool-down" music that features local sounds like accordions, fiddles, triangles and zydeco-style electric guitars.
After working with Beverly on this and other projects, including an upcoming original ballet centered on Louisiana's wetlands, we discussed the idea of my participation in Ballet Acadiana's annual holiday celebration this December. She asked me to submit musical material to pair with original choreography for the performance. I immediately thought of a personal recording I had made a few years before of Christmas music on fretless banjo.
In the mid-1990s, I was working on a documentary film covering early Irish immigrants to the Appalachian Mountains. While doing research on my roots in the area, I learned of a fiddle belonging to a distant cousin which was assumed to have traveled to Virginia with my great-great-great-great-great-great-great-grandfather in the 1700s. Thinking only of what might make for a strong scene in the documentary, I made a call to the owner of the fiddle, whom I'd never met, and suggested that I bring the crew over to film me playing the instrument. In a response that still makes me smile at my presumptuousness, my 82-year-old cousin Alfred replied, "Now hold on a minute. You've got to get in on the ground floor!"
His words made me realize that I was acting in opposition to the principles of family and heritage that I had been hoping to illustrate for the film. I'd wanted to come to his home and get some quick footage of "the moment" before ever having met him. If the ties I was hoping to emphasize were so important, why was I prepared to relegate them to secondary status? Why was I more concerned with the image of family than with family itself? His lesson resonated with me then, as it does today, and I soon made plans to go visit him and his wife, Mary, without a film crew or an agenda. After a few visits we became close and I spent time with them every time I was in that corner of Virginia.
About a year later I came home one day near Christmas and found a large box on my porch. Inside were two handmade fretless banjos that Alfred had carved for me himself. They were decorated with horses and my name had been written on one by the bridge. I was so moved by his generosity that I immediately went inside and recorded an album's worth of Christmas music on the instruments. I sent a copy of this recording to him the next day and, surprisingly, he seemed as delighted with my gift as I had been with his.
I dubbed the recording A Fret-Free Christmas and began giving it to a few friends and family each winter. The performances seemed to have an extra depth and innocence because they were made with no motivation other than reflecting and furthering the spirit of generosity shown in the original creation of the instruments. While giving for the sake of giving is what we all want Christmas to be about, we often end up distracted by details and expectations. A Fret-Free Christmas was intended to follow Alfred's lead in returning the focus to what really matters.
Ballet Acadiana's Assistant Director Esther Burley responded to these feelings in the music and created powerful original choreography for five of the pieces as a suite. This brand new work features the Senior Company of Ballet Acadiana and live performances of the music on the original fretless banjos. The instruments have rarely been on stage, due to their delicate nature, and these interpretations of traditional Christmas pieces have never been performed in public. A limited release of the recording, including 18 Christmas pieces, will be available at these performances only, with a portion of the proceeds going directly to Ballet Acadiana. In addition to A Fret-Free Christmas, several other works will be performed, including the original ballet The Littlest Angel.
I'm proud to live in a community where art is intertwined with everyday life. In some ways we may take it for granted, but perhaps that's not as bad as it sounds. It has been granted to us, like a blessing, and we live in the thick of it, without separation. We rarely take a break and view it from the outside, but why should we? We're too busy doing it to step away. Beverly Spell and Ballet Acadiana are some of the busiest and most dedicated of the highly talented artists in this area. It's my hope that you'll join us to celebrate our many blessings during this holiday season.
To hear Dirk Powell perform holiday music on the banjo, visit www.theind.com/extra/powell.
A Holiday Celebration featuring The Littlest Angel Friday will take place at UL Lafayette's Angelle Hall on Friday, Dec. 7, 2007 at 7 p.m. and Saturday, Dec. 8, 2007, at 3 p.m. Admission is $10.
Corporations spending in state elections; Kenny G and Hong Kong; states resist gay marriage and more national and international news for Thursday, October 23, 2014.
Thursday's Blogs from the Bog!
School board members Mark Babineaux, Hunter Beasley and Tehmi Chassion can vote to fire Cooper — because we all know that’s exactly what they’ll do.
District 2 school board candidate Simon Mahan is hoping to unseat first-term incumbent and former Carencro Mayor Tommy Angelle in the Nov. 4 election.
District Attorney Mike Harson is showing his desperation by falsely attributing quotes to his opponent and blocking journalists from his social media.
Three bedroom Acadian or a two bedroom town home
Ready to geaux in purple and gold
The governor is traveling the country laying the groundwork for a possible 2016 presidential campaign, but his approval ratings at home hover well below 50 percent.
State District Judge Bob Downing extended the order and delayed a planned Wednesday hearing about a permanent injunction while negotiations continue between Attorney General Buddy Caldwell and the waste disposal site operator.
New Louisiana higher education commissioner Joseph Rallo will be paid more than his predecessor.
The recently established Downtown Lafayette Restaurant & Bar Association will host a special viewing of the upcoming New Orleans Saints taking on the Carolina Panthers in the open air of Parc Sans Souci on Thursday, Oct. 30.
Belief in a national outbreak of the Ebola zombie virus is becoming more of a threat every day, and The Hayride — Louisiana’s one true bastion for unrelentingly conservative political commentaries — thought it wise to share a certain special someone's “important message” with readers Tuesday on what to do when, not if, it comes.
Acadiana's nightlife guide.
Elijah McGuire and Alonzo Harris each had four rushing touchdowns, and Louisiana-Lafayette rolled to 419 yards on the ground in a 55-40 victory over Arkansas State on Tuesday night.
Bill and Hillary Clinton are the validators-in-chief for Democrats struggling through a bleak campaign season in states where President Barack Obama is deeply unpopular.
JPMorgan Chase is giving $1 million to Louisiana's community and technical colleges, to help with workforce training efforts to match students to available jobs.
President Barack Obama is turning to black radio listeners to plead for midterm votes, a targeted approach to drum up Democratic support at a time when many candidates don't want him around in person.
Law firm unveils newly renovated 200-year-old building.
UL grad named web developer at BBR Creative
Lafayette-based emergency department staffing and management company raises $120 million in senior credit facilities through GE Capital, Healthcare Financial Services.
High-rise apartment building, parking garage, hotel and retail part of new development.
A common thread runs through many of those we oppose: Enshrining in the Constitution protections on programs and their funding sources has had a disastrous effect on Louisiana’s most important economic development engine.
"I am extremely disheartened by the political machines that are attempting to hijack my efforts along with others that advocate for children."
Landrieu, who is fighting to keep her seat for a fourth term, said that Ebola is serious and precautions should be taken, but she accused Republicans of using the virus outbreak in West Africa to "create fear" here at home.
The number of Louisianans with jobs continued to set records in September, but the state's unemployment rate kept rising.
Three bedroom cottage or three bedroom ranch
Sheer lace perfection
Acadiana's nightlife guide.
Louisiana is drowning, quickly.
Law enforcement agencies are participating in a "Louisiana Heroin Summit," designed to address the recent rise in heroin use and drug-related deaths around the state.