A perfect example occurred at the annual night-before-Thanksgiving dance that my band, Balfa Toujours, shares with Geno Delafose every year. It was a night of Creole and Cajun music in which turkeys and guinea hens were given away as door prizes. While Geno was playing, I went to look for my friend Beverly Spell of Ballet Acadiana ' a world-renowned ballet teacher and choreographer ' only to be told that she was out on the floor doing zydeco moves with a world-renowned performer and teacher of Irish traditional dance. Do such things happen everywhere? Not a chance.
Beverly is a local artist who continually exhibits a humble and productive dedication to art. She creates on many levels. Her original choreography explores the emotional depths of the art form, her ballet barres, created from an original design and handcrafted in Milton, can be found in studios and schools around the world, and her teaching skills have landed her positions in New York and other dance meccas. But her dedication to the creative spirit is perhaps best exhibited in the work she does with young people. Her Leap 'N Learn program, which focuses on creativity, self-expression, and fundamental movement skills in children, is used by more than 400 dance studios throughout the world and has just been adopted by Lafayette Parish public schools. I'm collaborating on this program with Beverly and Annie Spell, through the addition of original "warm-up" and "cool-down" music that features local sounds like accordions, fiddles, triangles and zydeco-style electric guitars.
After working with Beverly on this and other projects, including an upcoming original ballet centered on Louisiana's wetlands, we discussed the idea of my participation in Ballet Acadiana's annual holiday celebration this December. She asked me to submit musical material to pair with original choreography for the performance. I immediately thought of a personal recording I had made a few years before of Christmas music on fretless banjo.
In the mid-1990s, I was working on a documentary film covering early Irish immigrants to the Appalachian Mountains. While doing research on my roots in the area, I learned of a fiddle belonging to a distant cousin which was assumed to have traveled to Virginia with my great-great-great-great-great-great-great-grandfather in the 1700s. Thinking only of what might make for a strong scene in the documentary, I made a call to the owner of the fiddle, whom I'd never met, and suggested that I bring the crew over to film me playing the instrument. In a response that still makes me smile at my presumptuousness, my 82-year-old cousin Alfred replied, "Now hold on a minute. You've got to get in on the ground floor!"
His words made me realize that I was acting in opposition to the principles of family and heritage that I had been hoping to illustrate for the film. I'd wanted to come to his home and get some quick footage of "the moment" before ever having met him. If the ties I was hoping to emphasize were so important, why was I prepared to relegate them to secondary status? Why was I more concerned with the image of family than with family itself? His lesson resonated with me then, as it does today, and I soon made plans to go visit him and his wife, Mary, without a film crew or an agenda. After a few visits we became close and I spent time with them every time I was in that corner of Virginia.
About a year later I came home one day near Christmas and found a large box on my porch. Inside were two handmade fretless banjos that Alfred had carved for me himself. They were decorated with horses and my name had been written on one by the bridge. I was so moved by his generosity that I immediately went inside and recorded an album's worth of Christmas music on the instruments. I sent a copy of this recording to him the next day and, surprisingly, he seemed as delighted with my gift as I had been with his.
I dubbed the recording A Fret-Free Christmas and began giving it to a few friends and family each winter. The performances seemed to have an extra depth and innocence because they were made with no motivation other than reflecting and furthering the spirit of generosity shown in the original creation of the instruments. While giving for the sake of giving is what we all want Christmas to be about, we often end up distracted by details and expectations. A Fret-Free Christmas was intended to follow Alfred's lead in returning the focus to what really matters.
Ballet Acadiana's Assistant Director Esther Burley responded to these feelings in the music and created powerful original choreography for five of the pieces as a suite. This brand new work features the Senior Company of Ballet Acadiana and live performances of the music on the original fretless banjos. The instruments have rarely been on stage, due to their delicate nature, and these interpretations of traditional Christmas pieces have never been performed in public. A limited release of the recording, including 18 Christmas pieces, will be available at these performances only, with a portion of the proceeds going directly to Ballet Acadiana. In addition to A Fret-Free Christmas, several other works will be performed, including the original ballet The Littlest Angel.
I'm proud to live in a community where art is intertwined with everyday life. In some ways we may take it for granted, but perhaps that's not as bad as it sounds. It has been granted to us, like a blessing, and we live in the thick of it, without separation. We rarely take a break and view it from the outside, but why should we? We're too busy doing it to step away. Beverly Spell and Ballet Acadiana are some of the busiest and most dedicated of the highly talented artists in this area. It's my hope that you'll join us to celebrate our many blessings during this holiday season.
To hear Dirk Powell perform holiday music on the banjo, visit www.theind.com/extra/powell.
A Holiday Celebration featuring The Littlest Angel Friday will take place at UL Lafayette's Angelle Hall on Friday, Dec. 7, 2007 at 7 p.m. and Saturday, Dec. 8, 2007, at 3 p.m. Admission is $10.
Lafayette Police have had a busy day.
Gov. Bobby Jindal's administration will use $130 million in patchwork financing from a tax amnesty program, insurance settlement, uninsured motorist penalties and other excess funds to close most of the state's midyear budget deficit.
Democratic U.S. Sen. Mary Landrieu said she disagrees with President Barack Obama's actions on immigration, hoping the latest controversy doesn't worsen her campaign difficulties.
Two bedroom in Lafayette or two bedroom in Kaplan
Sennond trunk show at kiki
Gay-rights advocates challenging Louisiana's same-sex marriage ban announced Thursday that they have asked the U.S. Supreme Court to review their case before it is heard by a federal appeals court.
Thursday’s explosion aboard an oil production platform in the Gulf of Mexico is now under investigation by the Bureau of Safety and Environmental Enforcement.
Acadiana's nightlife guide.
Thinking himself the “son of God,” the man charged with the 2013 killing of an officer of the Chitimacha Tribal Police will not stand trial following a ruling Thursday on his mental competency.
Four hours after inviting supporters to a rally with Sen. Marco Rubio, Bill Cassidy claimed that Mary Landrieu “voted against stopping executive amnesty.”
Either Saints coach Sean Payton doesn't want to tip Baltimore off as to who'll start in New Orleans' secondary on Monday night, or he really doesn't know yet.
Money from the first and only settlement so far in a Louisiana flood board's lawsuit against dozens of energy companies will be placed in a special account dedicated to coastal restoration.
Friday's Blogs from the Bog!
Ten departing CEOs rake in $430 million; profile of FSU gunman emerges; Buffalo's weather woes and more national and international news for Friday, November 21, 2014.
The Ethics Board gives the lame duck Youngsville mayor permission to offer a sweet parting gift to the community he’s presided over for three terms.
Carencro ranch style home or three bedroom traditional in St. Martinville
The money came through a general obligation bond sale Thursday.
A legend in the Acadiana Oil Patch, Comeaux died Monday, Nov. 17.
Acadiana's nightlife guide.
With a growing number of alleged sexual assault victims coming out against Bill Cosby in recent weeks, upcoming projects have been canned by NBC and Netflix, but that won’t affect the once-loved comedian and actor’s scheduled performance in Lafayette.
The Baltimore Ravens' retooled secondary had no trouble against a rookie quarterback at home. This week, however, their task is far more challenging: stopping Drew Brees on the road in New Orleans.
Add Texas Gov. Rick Perry's name to the list of possible Republican presidential candidates flooding the campaign trail for GOP Senate candidate Bill Cassidy.
Gov. Bobby Jindal is in Florida this week with his fellow Republican governors for another gripe session aimed at their favorite target, the president, this time taking aim at his immigration plans.
Early voting for the runoff is shortened by two days because of the Thanksgiving holiday.
“Coach Don” Gagnard is running for school board. Today he offers his critique of the socioeconomic relationship between government subsidies and obesity.
BP is heading to a federal appeals court in its effort to oust the administrator of damage settlement claims arising from the 2010 Gulf of Mexico oil spill.
Former Le Rosier chef who cooked at the James Beard House and was named one of the “Best New Chefs in America” by Food & Wine magazine in 1995 was 48.
It was only a few months ago when the LPSB held the school system’s purse strings with a death grip, but oh how board President Hunter Beasley's demeanor seems to be changing with the ouster of Superintendent Pat Cooper.
Acadiana's nightlife guide.